Duke's days of being forever may be over, but he can still live on in the world of ports, including over to the iPhone.
Sadly, it does not both kick ass and chew bubblegum. It looks like a Duke, sounds like a Duke - but does not walk like a Duke. The controls are abysmal and suck all of the original action out of the title. The developers tried to compensate with a wide variety of options - but none really work. It speaks to the difficulty of doing a good 3D shooter on a buttonless platform, sure, but that's hardly justification for purchase.
Trick someone else into buying it, maybe, and look over their shoulder. Otherwise a pass.
Wednesday, August 12, 2009
Game Play: Duke Nukem 3D (iPhone)
Monday, August 03, 2009
Book Read: Someone Comes To Town, Someone Leaves Town
A friend of mine at an old job introduced me to Doctorow, chiefly Down and Out In The Magic Kingdom, which I thought was a fairly brainy transhumanistic tale>. Since then I've mostly grown accustomed to Doctorow's writings on Boing Boing, which sadly often show a lack of basic understanding about the things he loves to complain about, most notably DRM and copyright, even down to the completely absurd.
This review will contain some spoilers.
Someone Comes To Town, Someone Leaves Town is Doctorow's third book. There's a bit of all the above in this novel. Early in the book you are introduced to some unique fantasy elements, reminiscent of Gaiman in some ways - even in positive ways, and throughout the book there are several hints that a deeper mythology might be at work. The main character, Alan, is the son of a mountain and a washing machine. Alan responds to any name beginning with A, and his brothers likewise are named in alphabetical order and so will answer to Bart, Charlie, Darren, and so on.
At just about the time that this seems to have the structure for something interesting, Doctorow spends about a hundred pages talking about wi-fi and blanketing a large part of Kensington Market in Toronto with free access. This second topic completely murders the book. Not only is it relatively uninteresting, the fact that none of the seemingly technically proficient characters seem to understand the access points do in fact extend the range but do nothing to actually increase the amount of bandwidth available to said range - hence the promise of "free" Internet being in actuality the same problem facing many a municipal plan, is completely overlooked. It pretty much just translates into many pages talking about the Internet as free speech, the value of undervalued hardware, and a lot of wasting of the reader's time for an effort which is not only futile, but embarrassingly boring and inept.
Every section of the novel which is entertaining, about Alan's past and other magical beings such as himself, gets stabbed by anything related to the "ParasiteNet" subplot. Doctorow divides the book up oddly, so you'll get a little motion about Andy's schoolboy days - only to end up reading about recompiling a distribution for a computer made from dumpster parts.
Not only does it undercut the basic plot and premise, it makes several of the aspects feel silly and unrealistic. That Andrew will respond to any male name beginning with "A" leaves people with questions, Doctorow not only decides not to risk offering any explanation - but all of Andy's dumpster diving net nuts gladly alternate his name without any indication that it might be slightly odd.
It's as if the depth and potential of the fantasy elements were too overwhelming for the book, and instead you get a lot of crap about public Internet access. Ultimately, the story about Andy's family feels shallow, unresolved and disorderly. There's actually a twist in the end, which is allowed so little time to breath or room for discourse that you might just blink and miss it.
The wikipedia listing for this book notes its literary significance as being "anti-cyberpunk", for lacking any virtual reality or high tech goods. Honestly, I'd love to know who added that to the listing - as a search for the phrase comes up with only self-referential connections. It's like the guy who tries to give himself a nickname.
The book is, thanks to Doctorow's love for the Creative Commons, freely available online - so you can check it yourself. I'd say that's about the right price. I've enjoyed most everything else I've read of his about ten times more than this one.
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Labels: boing boing, book read, book review, cory doctorow
Friday, July 31, 2009
America, Apocalypse and Anime
There are some spoilers here pertaining to the movies Cloverfield, Watchmen and Knowing, so if you haven't seen them be warned.
When 9/11 hit, certain taboos became self-evident in the media. Sensitive of the national tragedy, any imagery involving the World Trade Center, attacks on major cities - and especially New York, and terrorism in general became hot topics. No longer could terrorism be a blanket kind of bad guy, a default motive for any villain in an action movie - now it was all extremely real to American culture. An interesting example is Man On Wire, which is particularly more potent because of the focus of the two towers, even from a relatively serene, stoic, pre-9/11, stance.
Cloverfield probably most famously crossed over this line, rampaging and destroying Manhattan in full monster movie trappings. New Yorker friends of ours still haven't seen the movie for exactly the fact that destroying the island doesn't hold much entertainment value for them.
Yet in one weekend, we saw Watchmen and Knowing to see the theme re-addressed all over again. Watchmen underwent a specific change to the ending from the graphic novel, removing a lot of graphic carnage from a giant squid for a massive blast instead. Recall that the script was being done when 9/11 was still new, and yet it is interesting that the World Trade Center is prominently displayed in one scene. Knowing seems to direct the action to Manhattan specifically for some apocalyptic scenery.
What I'm wondering is if we won't see more and more of this line being crossed. The analogy here is in anime, where the dropping of the atomic bombs set a tone for the genre which still persists today (not to mention, to be a little circular, monster movies in general where radiated creatures lay waste to urban landscapes). Whether revisting the carnage is cathartic or exploitative is probably a topic for a whole other post, I don't see much reason why American media would diverge from the Japanese direction, and it seems to be following suit. And we've seen this before - science fiction owes much to the Cold War, not only in general themes but having some ancestry in the way aliens and robots are portrayed as well.
I would also expect, especially given the growing similarities between large scale game development and movie production, that games will pick up this trend as well. inFamous comes to mind, for sure.
Monday, July 27, 2009
Demo Play: Ghostbusters
I'm a bit torn about this demo. On one hand it seems like a far smarter extension to the franchise than we probably could have hoped, and yet on the other it feels weighted down by some over-engineering of game mechanics.
Take the PK meter. The demo nags you regularly to use the thing, but the googles somewhat obstruct the player's vision and also locks up important controls - like weapons. The end result is a sense of powerlessness which isn't terribly entertaining, especially when you end up fumbling for a weapon when you think you might be attacked. It's reminiscent of the Doom III's flashlight, in all the bad ways.
And my encounter with trying to actually trap a ghost was an exercise in fumbling around controls and wonder what the game was trying to tell me (literally at times) to do - and so the whole process felt extended and annoying.
Still, it's an attractive game that plays up the existing characters and franchise quite well. Not that being better than Ghostbusters II is exactly a difficult bar to reach, but it might be enough of an achievement to warrant a rental.
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Labels: demo play, game play, ghostbusters, ps3
Movie Watch: Watchmen
Alan Moore is a guy who has had a pretty rough road with movie adaptations, quite probably culminating in the completely dreadful League of Extraordinary Gentlemen but the basic trend of Hollywood running slipshod over his material.
So it is a bit of a shame, I think, that he decided in the end to "spit venom", as I believe he put it, on Zack Snyder's adaptation of the much revered graphic novel Watchmen which has, if anything, been critiqued for being too loyal to the source material.
The end result is anything but a standard comic book movie, but that's precisely what fans of Moore and Gibbon's work would have wanted. The story is a subversive and not exactly slightly deconstructive look on the genre in general, a story of "masks" running headlong into culture and history and the gritty outcome of the conflict for the characters and the world in general.
Snyder has put the somewhat sprawling novel onto the screen with a high attention to detail. The decision to avoid big name actors works extremely well and every performance in the movie is top notch, with Rorschach being particularly outstanding. The plot survives fairly intact, the major points remaining the same and no embarrassing changes to the ending or softening of some of the more controversial portions of the subplots. Moviegoers are seeing the novel here, there's little doubt of that.
So I find myself having trouble saying anything bad about the film. It's a beautiful adaptation of a great work in comics, highly recommended.
Even if you're Alan Moore.
Thursday, July 23, 2009
US PS3 Sacred 2 Patch May Be "Soon"
ESA Sues Chicago Transit Authority Over Advertising
The latest update in the CTA's decision to ban certain game ads is the ESA announcing they've filed a lawsuit against the CTA over the matter. The CTA has responded saying that the ban coincides with their ban on tobacco and alcohol products.
So a couple of things here. Let's remember that this all started when Fox News got into a tizzy and decided to kick up a fight about it. I live here in Chicago and there certainly isn't any public outcrying about the ads. The backstory here is that there was a week of violence which made the press and the ads were a convenient way for Fox to get a little more filler.
Chicago has a problem with violence. A GTA IV ad here or there isn't going to change that. It does, to a certain extent, make city officials defensive though, so while I think the CTA is very clearly in the wrong here - I also don't want to make it sound like they're unfounded. There's real cause for concern, especially in some communities, and steps should be taken. This just isn't one of them.
First and foremost we need to remember that the CTA is an organization with deep financial troubles. They've gone through periods essentially threatening riders with "Doomsday" ads about shutting down services if they don't get more cash. To complain to the public about not having any cash and then going down a route which probably not only reduce ad revenues but will probably cost taxpayers thousands in legal fees is simply idiotic. It's feel-good politics, but bad governance.
The claim that the ban is inline with banning tobacco and alcohol ads not only defies logic in general, it won't hold up in court. It's the same distinction that the state tried for limiting the sale of mature rated games to minors and the state got their teeth kicked in for it. And let's not forget that CTA allows R rated movie ads, like the kid friendly Dark Knight with all its animated puppies and whatnot. Oh no wait, that was Bolt, Dark Knight stabbed a guy in the eye with a pencil.
Eventually lawmakers, Fox News, and self-righteous nutjobs like Thompson will realize that while video games might make for a decent scapegoat culturally - they suck as scapegoats financially. Sadly, they probably won't realize this until a couple more increases to some lawyers' bank accounts are made.
Wednesday, July 22, 2009
Saturday, July 18, 2009
Fate Of PS3 Sacred 2 Patch Seems Uncertain
While we love Sacred 2 here at Cathode HQ, there is quite a bit that we'd love to see fixed, not the least of which being to actually trade items with each other in offline coop. A European patch was rumored to have been released, but a recent post at the forums for the US publisher, CDV, indicates no release date and please stop asking since they have no control over it.
When I tried to contact Ascaron, the developer, on it, I got rather swift, possibly automated, and somewhat ominous reply:
the support for this game will be terminated on the 29.05.2009.
Sincere thanks to everyone who has supported us. We have had a fantastic time, and could not have done it without all you.
Your Ascaron Technical Support Team
so long and thanks for all the fish ...
Update: Looks like a patch was submitted to Sony. Ascaron maintains console patch status in a forum post (even if you can't them via email)
Friday, July 17, 2009
Futurama Voice Actors Being Recasted
Fail.
Fox released a statement saying "We love the Futurama voice performers and absolutely wanted to use them, but unfortunately, we could not meet their salary demands. While replacing these talented actors will be difficult, the show must go on. We are confident that we will find terrific new performers to give voice to Matt and David's brilliantly subversive characters."
I just don't quite see that working. Willing to give it a chance, but a lot of those voice actors were those characters.
Rundown of iVerse Comics on iPhone
With work as it is, I've had less time for actual gaming and more time for flipping artistically rendered panels on the iPhone. iVerse has been trying to push the digital envelope for comics and some of their titles are pretty interesting. I think at this point I've read through most of their library, so here's a quick review of each.
Atomic Robo
It's an interesting blend of old school comic plot structure with a great deal of humor and the occasional dose of humanity, played up well since the lead character is well, made of metal. First title to hook me into reading comics on the phone and well worth the read.
Proof
Proof is one part X-Files, one part fantasy and a dash of crime drama. You get your titular character - a Sasquatch adapting to life without Sasquatches helping a world inhabited by more mythical creatures (cryptids as they're called) than anyone realizes exist. It shares much of the same space for me as Atomic Robo with strong character design that feeds well into the plot. Definitely recommended.
Neozoic
Great art design, interesting premise of an alternate future where mankind struggles against an Earth where dinosaurs still roam. There's clearly a well thought out backstory here and the writing doesn't make the mistake of feeding it all to the reader all at once. It's action packed and a great read.
Hexed
This may be my favorite title so far, which is a bit painful since only two issues have been released for the iPhone. The story is edgy but contrasted by the main character's complexities - Lucifer, the female thief of the comic, seems almost soft until she pulls some stunt with a demon or breaks a nose. Hopefully the next two issues will get released soon.
The Red Star
A fascinating blend of religion, technology and magic - The Red Star offers a great tale of a vicious war where tanks, fireballs and gods seem to clash into each other. Very unique, very well done.
Chance of a Lifetime
This two parter will surprise the reader. The cover lends to a kind of average Silver Age sort of read, but the story of a normal person being suddenly gifted with powers making him one of the first superheroes on the planet isn't entirely straightforward. There isn't a great deal of depth here, but the length of the two issues feels just about right, this isn't a typical hero plot - but a short story about a person in extraordinary circumstances.
White Picket Fences
A great blend of 50's sci fi and Cold War fears make Fences a very worthy read. It also has a great sense of humor and plays its child protagonists quite well. Great to see a title without capes or superpowers, a very excellent read.
Armor X
Armor X's saving grace is the internal conflict of the main character, a loser high school kid with more than a few sociopathic tendencies. Without this twist, it would be more of a "boy meets alien device, gets girl" affair, but the lead and his interactions with the world kick it up a notch. Not my favorite, but worth a look.
Abyss
I didn't have much interest in Abyss as it seemed like a pretty standard hero setup, but the upside is that Abyss is actually pretty darn funny, walking a fine line between parody and homage to the genre that it plays off. It's not a great read, but it is certainly entertaining.
Update: Now that Abyss' is completely out, I should note it really pretty much sold me by the end. It sticks to this homage/parody line very well, and makes for - despite my earlier comment - a great read.
Dynamo 5
Pretty generic in a lot of ways, Dynamo 5 does at least use the premise pretty well. A squad of superheroes with only one thing in common - their now deceased superfather, tries to fight crime under the tutelage of his authoritative and manipulative wife. There's a lot of possibility here, so I certainly would like to see more than the two currently released issues.
Super Human Resources
A deeply funny parody of the superhero genre, SHR is punchy and entertaining. Combined with office jokes, the title might not appease the the hardcore comic reader - but should if they have a sense of humor.
SuperFogeys
Funny, not hilarious and often pretty sophomoric, SuperFogeys might tickle your funny bone and worth a try. I liked it and hope to see more out of the title, but didn't enjoy as much as SHR.
ShadowHawk and FX
It's not that these are necessarily bad titles, but they're really not for me. Fairly generic rehashes of Spider-Man in their own ways, these might be good for people looking for more standard superhero stories as reading material.
Wind Raider
There's something missing to Wind Raider's backstory to really make me suspend disbelief around a group of warriors who can summon the wind, but the post-apocalyptic landscape is well done if only marginally cliche. This is a title I'm hoping will pick up in future issues, but it has bit too much Fist of the Northern Star meets Mad Max for me right now. Course, that may be your thing.
Star Trek
I'm just going to lump all the Star Trek material together for brevity's sake. The prequel to the recent summer movie is certainly worth reading, but for the most part if you're a Trekkie, there's plenty to like here.
Flash Gordon
Better than I expected for a story which has been done and redone several times. The art is quite magnificent and the source material used extremely well.
Well, that's more or less it. I haven't read much of the manga and stayed away from the other TV adaptions (Ghost Whisperer and Eureka), but if iVerse doesn't get more material through the review process soon, I may give in there as well.
EA Hosts GLAAD Event
EA was kind enough to send this along:
Confirmed panelists include:
Flynn DeMarco (Alias: Fruite Brute), Founder of GayGamer.net
Dan Hewitt, Senior Director of Communications & Industry Affairs for the Entertainment Software Association (ESA)
Caryl Shaw, Senior Producer in the Maxis Studio (Electronic Arts, Inc.)
Cyn Skyberg, VP of Customer Relations at Linden Lab
Stephen Toulouse (Gamertag: stepto), Program Manager for Policy and Enforcement on Microsoft's XBox LIVE
Moderator: Justin Cole, Director of Digital & Online Media, GLAAD
Event details are as follows:
WHAT: Homophobia in Virtual Communities - Highlighting the Problem and Working Towards Sustainable Solutions
WHEN: Saturday, July 18th, 2009, 11am-1pm
WHERE: Electronic Arts, 250 Shoreline Drive Redwood City, CA 94065
The event is free of charge and open to the public. More information can be found at: http://www.glaad.org/digitalevent
Online registration is closed, see the link in the quote for more information reserving still. Event will be recorded, so it may be interesting to see it afterwards as well.
Thursday, July 09, 2009
Nothing To See Here
Barely enough hours in the day to get work done, much less thoughtful blogging - so expect posts to be sporadic. Appease yourself with the Cathode Tan News in the meantime.
Tuesday, June 30, 2009
TV Watch: Harper's Island
So a quick side story here, The Girl and I jumped on this show via Netflix Instant thinking it was a show that had already aired and passed, but it turns out this is part of Netflix's program to air recent material, and Instant gets the episodes after they air on television.
Most of the season is done with only what appears to be the two episode conclusion to air this weekend. Instant is a great way to catch up on the show to date, especially if you can grab the HD stream (say on your Roku).
The show itself is a pretty by the numbers murder mystery, feeling a bit like a good beach read. And it is good, don't let that factor in as much of a negative opinion. There's a great backstory that the show allows to breath and by the middle act there is quite a lot of fun to be had in trying to guess the various parts of the mystery.
Island is also relatively violent for a network show, so this doesn't feel like a sanitized made for TV affair, but manages to actually offer up some scenes with real teeth to them.
Highly recommended, and we're looking forward to seeing the ending.
Pirate Bay Going Legit
Well known and recently battled in court torrent site The Pirate Bay is being bought and going legitimate:
by Kris Graft
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June 30, 2009
Pirate Bay Acquired, Will Compensate Content Providers
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Embattled file-sharing site The Pirate Bay has been acquired by game networking company Global Gaming Factory for $7.8 million, and will turn the website into a legitimate operation that compensates content providers.
"We would like to introduce models which entail that content providers and copyright owners get paid for content that is downloaded via the site, " said GGF CEO Hans Pandeya in a statement. The acquisition is slated to close in August.
Pandeya said that Sweden-based The Pirate Bay is one of the "top 100 most visited internet sites in the world." He added, "However, in order to live on, The Pirate Bay requires a new business model, which satisfies the requirements and needs of all parties, content providers, broadband operators, end users, and the judiciary. Content creators and providers need to control their content and get paid for it. File sharers need faster downloads and better quality."
It will be interesting to see what changes this will cause, if the kind of content is radically different or if the legal issues will be handled by the new company or what.